Canon EOS 80D-Video Creator Kit-EF-S 18-135mm IS USM lens

Mfg.Part: 1263C103 | CDW Part: 4248418 | UNSPSC: 45121504
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$2,049.00 Advertised Price
Advertised Price
Lease Option ($60.45/month)
Note: Leasing is available to businesses only. Leasing is not available to individuals.
Product Details
  • Video Creator Kit
  • digital camera
  • SLR
  • 24.2 MP
  • APS-C
  • 1080p / 60 fps
  • 7.5x optical zoom EF-S 18-135mm IS USM lens
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Product Overview

Main Features
  • Video Creator Kit
  • digital camera
  • SLR
  • 24.2 MP
  • APS-C
  • 1080p / 60 fps
  • 7.5x optical zoom EF-S 18-135mm IS USM lens
  • Wi-Fi
  • NFC
  • with RODE VideoMic GO
The Video Creator Kit gives you the tools to make your dreams into reality with a RODE VideoMic GO, Power Zoom Adapter and Sandisk 32 GB SD Card. The VideoMic GO is a lightweight, easy to use directional microphone that picks up clear audio in front of it, reducing surrounding sound and isolating your subject from background noise. The built-in shock mount reduces noise from handling and a foam windshield reduces wind noise. The Power Zoom Adapter PZ-E1 opens creative opportunities for both video creators and photographers by enabling easy, smooth zooming to quietly capture the subject. Mount the VideoMic GO on the camera's hot shoe, plug in the 1/8" (3.5 mm) plug, attach the Power Zoom Adapter and insert the SD card and you're ready to start shooting! Whether raising your game to SLR level photography or having fun with a feature-rich, versatile SLR you can use pretty much anywhere, the EOS 80D camera is your answer.

Canon EOS 80D-Video Creator Kit-EF-S 18-135mm IS USM lens is rated 4.9 out of 5 by 12.
Rated 5 out of 5 by from scientific use I work in an agricultural R&D company where we take pictures of insects, plants, fungi and assorted items such as illustrating procedures.We have the 60 2.8 and 100 2.8 canon macro lenses, but the 24-70 seems to be the go to lens for all the departments. We started using the T5i aand upraded to the T61. Either body with the 24-70 seems to handle most anything we shoot. It is the preferred lens for field work where a versatile, light weight lens is preferable.We are currently doing a tiome lapse experiment where the 24-70 will be the main lens used.
Date published: 2018-06-14
Rated 5 out of 5 by from Excellent Lens, IS Is A Game-changer I bought this lens 2 months ago and have used it for a couple of weddings and for general use. Image stabilization is a game-changer, especially at the hardest part of a wedding during the bridesmaid processional. I have a 24-70 f2.8L, which is a wonderful lens but it isn't stabilized and it's heavy. In a low light church, with the girls walking up the aisle I only get one chance. With a flash the old lens got acceptable sharpness with my 6D, if I was careful to not shake while taking the shot. With the new f4 with image stabilization I get excellent sharpness repeatedly. This lens solved my biggest problem.I have heard some people snobishly say they would NEVER buy anything less than an f2.8 lens, but I would never shoot those bridesmaids at 2.8. I shoot at 5.6 or 6.3 because I need the wider depth of field for the moving subject. My 6d gives fine images at high ISO.The photo quality of this lens is really good with no more distortion than the classic 24-70 f2.8, it produces a nice punchy image, it's solidly built, it's light and it's half the price of the other lenses.Don't underestimate what IS can do to improve your sharpness. I love this lens and only pull out the f2.8 occasionally now.
Date published: 2018-03-26
Rated 5 out of 5 by from Better suited for full frame. I have used this mainly on my 5D but it shines on my EOS Elan 7e film camera. It does not furnish the wide angle view for the 5D as I would like. On the old film camera it does very well indeed, both b&w and color slide. Generally fast focus. Sharp pics edge to edge.
Date published: 2016-12-02
Rated 4 out of 5 by from Small, light, great IS I just bought this lens after returning one that was a long-term loan from a friend. I have owned and used the EF 24-105mm f/4 IS for the last four years, paired with 6D and 5D mark III full-frame cameras and generally was not a big fan of the 24-105. It wasn't bad, but as someone who usually shoots with prime lenses, I just found it not up to the standard set by my Canon primes (35mm f/1.4 L mark II, 50mm f/1.2 L and 100mm f/2.8 IS L Macro).The 24-105 was also heavier and larger, and for me served mainly to cover 24mm and for non-photography oriented travel. The 24-70mm f/4 is noticeably smaller and lighter, its macro mode is useful, if not equal to a true macro lens, but most important to me is that at 24mm there is very little distortion. It is so good at 24mm that when taking a full kit, I engage the zoom lock and just think of it as a 24mm prime, and one that is smaller and lighter than the 24mm f/1.4 L mark II and not much larger than the 24mm f/2.8 IS , which are the two lenses I was considering to complete my Canon outfit.As a 24mm wide-angle "with benefits", this lens is a great compromise. An f/1.4 lens would give me better low-light performance and of course better control over depth of field, which are why the 24mm f/1.4 is still on my wish list, but this is an excellent alternative to the 24mm f/2.8 IS. Unlike a 24mm prime, however, I can easily attach this lens to my camera and be reasonably sure that I can cover just about anything. For serious photography I still prefer primes and likely always will. My 35mm f/1.4 Mk II is, by far, my favorite lens. What this lens does, however, is lets me take a DSLR with a single lens to a family event and not even think about carrying a camera bag with me when I go out for the day.
Date published: 2016-09-27
Rated 5 out of 5 by from Fast Auto focus,sharp images,well built lens I was looking and checking reviews on owners of this particular lens(EF 24-70mm f4 l) for weeks and i finally purchased it,i'm just an amateur photographer,mostly taking pictures of my Son's sports games.I owned a Canon T6i which is designed for intermediate photographers and i was just looking to upgrade my lens to the L lens and honestly this lens was more expensive than the camera body alone(t6i) but it's well worth it,image quality was awesome,fast auto focus,well built lens,just loved it,didn't regret at all,this is my everyday,any occasion lens,so proud to carry my camera with this lens attached on it,my signature lens.I highly recommend this to anybody who wants to upgrade their basicLens,you will love it also,i guarantee it!!!
Date published: 2016-01-12
Rated 5 out of 5 by from It's all I need This was the 1st lens I bought for my camera, the 70D, which came with a 70-300 and a 18-135. right away I knew I found the perfect match. The softness is so rich in the backgrounds, it takes backgrounds and turns them into the most beautiful backdrop with colors and shapes you couldn't plan for, yet the image itself is clear. The colors in the photograph are stunning. When I show my prints, printed off a high end 9 color, professional printer, taken with the 24-70, they think it's a painting. thats the result of the chemistry between the 24-70 and the 70D. The addition of having MACRO literally at your fingertips, no changing lenses, just keep that creative moment moving, is why there are 5 stars up there! Changing from MACRO and back is just practice, it's 2nd nature now. I LOVE THIS LENS!
Date published: 2015-11-19
Rated 5 out of 5 by from Love it but wish I had the F/2.8 version Love this lens. Very sharp. Perfect MM range for walk around camera. I however am taking a lot of indoor sports which this lens is just a bit to slow for. On a 5D Makr III at ISO 2000 and speed of 350. It is still to dark. Can brighten post, but you get noise either way. By being too dark or by using a higher ISO. So if you are wanting to take fast indoor pictures with no flash, you should get the EF 24-70mm 2.8. I have the 16-35mm L 2.8 and it does great in the same gym, but it is a little short.If you don't care about indoor sports, it is awesome.
Date published: 2015-01-22
Rated 5 out of 5 by from Versatility & Superb Quality combined I wanted to buy a lens which I can leave on the camera most of the time and capture great images with. The standard zoom lens was missing in my collection as I shoot mostly with primes and a telephoto L zoom lens so I decided to do some research. After deciding that the 2.8ii would be too expensive and the 24-105 being too outdated I then proceeded to look at the 24-70 F4 IS. The new F4 IS seems to fit my needs perfectly - a small but high quality zoom that's built to a high standard along with a useful macro mode. After buying the lens and taking some photos with it in the field I can safely say that this lens delivers in terms of overall color, contrast, sharpness, etc. It is a bit softer wide open at 50mm but it's not a deal breaker and is still highly usable. Recommended without reservations.
Date published: 2014-05-17
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