AJA Kona LHi - video capture adapter - PCIe
Mfg # KONA-LHI
CDW # 5044955
| UNSPSC 52161546
Know your gear
The AJA Kona LHi bridges the gap between legacy analog devices and the 3G SDI and HDMI v1.3a enabled products. AJA drivers offer integrated support for Apple Final Cut Studio. Kona LHi allows editing, monitoring and mastering of professional quality video in an affordable, easy to use product.
Kona LHi offers a full host of no-compromise features: 10 or 8-bit uncompressed video, 3G/HD/SD SDI I/O including support for 1080p50/60, analog composite/S-video/SD-HD component video I/O, 2-channel AES/8-channel SDI embedded audio I/O, 2-channel balanced audio I/O, and broadcast quality hardware-based up/down/cross-conversion for flexible SD and HD post production. Also, HDMI v1.3a capability at 30 bits per pixel allows full support of the latest 10-bit monitors.
The Kona LHi comes standard with a breakout cable and can also be connected to an optional breakout box for rack mounted I/O convenience and added connectivity in the form of additional BNC digital AES/EBU connectors and RCA monitoring jacks.
Use the Kona LHi hardware-based flexible connectivity to capture to QuickTime at 10-bit and 8-bit uncompressed formats as well as Apple ProRes 422, DVCPRO HD and more.
Kona LHi offers a full host of no-compromise features: 10 or 8-bit uncompressed video, 3G/HD/SD SDI I/O including support for 1080p50/60, analog composite/S-video/SD-HD component video I/O, 2-channel AES/8-channel SDI embedded audio I/O, 2-channel balanced audio I/O, and broadcast quality hardware-based up/down/cross-conversion for flexible SD and HD post production. Also, HDMI v1.3a capability at 30 bits per pixel allows full support of the latest 10-bit monitors.
The Kona LHi comes standard with a breakout cable and can also be connected to an optional breakout box for rack mounted I/O convenience and added connectivity in the form of additional BNC digital AES/EBU connectors and RCA monitoring jacks.
Use the Kona LHi hardware-based flexible connectivity to capture to QuickTime at 10-bit and 8-bit uncompressed formats as well as Apple ProRes 422, DVCPRO HD and more.